
Regina De Rozario is a Singapore-based artist, writer and researcher whose practice and research interests are drawn from psychogeography, assemblage theory, queer feminist practices, and visual culture. Through walking, mapping, writing and image-making, she examines how power and control operate within the physical and narrative environments people move through.
Alongside her solo practice, De Rozario is active as one-half of Perception3, an interdisciplinary art duo established in 2007 with design practitioner Seah Sze Yunn. Their collaborative work is currently focused on exploring the notions of loss and memory through text, photography, digital video, and site-specific installation. Their projects include public artworks for Urban Screens (2026), Rebirth: Singapore Night Festival (2022), the Public Art Trust (2021), iLight Singapore: Bicentennial Edition (2019), and An Atlas of Mirrors: Singapore Biennale (2016).
As an adjunct educator, De Rozario supervises contemporary art studio practice and Fine Arts dissertation writing across the BA (Hons) and Masters programmes at the University of the Arts. She has also contributed as a guest lecturer and facilitator at the Singapore Management University, Nanyang Technological University, Singapore Art Museum, and the National Library.
De Rozario received the National Arts Council Postgraduate Scholarship in 2018 to conduct her doctoral research on art in public space at the School of Art, Design and Media, Nanyang Technological University (2018-2020), and at the National Institute of Education (2020-2024). In addition to her Doctor of Philosophy degree, she holds a Master of Arts in Contemporary Practice, and a Bachelor of Arts with first class honours in Fine Art and Contemporary Writing from the University of Huddersfield.